Whose Point Of View?
As I began writing book one, I never questioned which POV I wanted to take. I wrote in the first person because I believed it was easier to “capture” a voice that way. And, the same goes with the second book, although it was definitely a bit more challenging since it was written from the viewpoint of a thirty year old male in 1925. (what the heck, I figured women = twenty thousand words per day, men = seven thousand. Hm, okay, stay cryptic. That sure made writing his dialogue a lot easier. 🙂 )
When I began the third book, I played around with third person. (not because it was the third book…) I wanted to see if I could establish a voice, despite the fact I felt first person made it easier to do. I think I only wrote about ten pages before I found I didn’t care for it. The writing seemed flat and I felt I was having trouble with that voice thing that is so important. I stopped and went to first person, which, of course tells me, I have some work to do in the future as I don’t think I need to write every book from the first person.
Using first person POV means the reader only hears the narrative coming from the main character, (MC) and that what this character perceives or “thinks” may not be accurate. The story unfolds with the reader learning things along the way, just like the character, so, the reader should question the main character’s reactions and thoughts. What they perceive about a story situation may not turn out as you believe.
With third person, the reader is getting the story narrative delivered by an “objective” voice and we are able to understand what the characters are learning and going through because this narrator explains their thoughts and feelings as we progress through the story. I’ve read that most writers/authors use this POV.
Very rarely do writers use second POV, (you, your) as in “you opened your front door and there was no one there.” (although, just writing that one bitty sentence is a little creepy if you ask me….brrr.) One example provided for a book written in second person POV more than any other is the book BRIGHT LIGHTS, BIG CITY by Jay McInerney and it ended up being a best seller. (1984) Other authors (Carlos Fuentes, Nathaniel Hawthorne to name a couple, as well as some passages written by William Faulkner, and others) have used second POV.
There are even more POV’s, like omniscient, (narrator knows everything about all the characters) and limited omniscient (narrator knows everything about only one character – major or minor) Many classics are written using OPOV like Dickens, Austen, and Tolstoy. And a few other examples I found were DUNE, written in third person omniscient, as well as other examples of POV, like cinematic POV, and deep POV, which means the narrator can “at will” jump about and share the thoughts and feelings of various characters. Yikes. That seems like very complex writing, at best, but I suppose if a writer can pull it off, go for it.
I think just stick to first person or third… how about you?